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In this case, that means that it's the original 146-minute Russian theatrical cut. The package art describes the film as an "Unrated" cut. Unfortunately, unlike the first movie, the disc has an obnoxious Blu-ray promo before the main menu. 'Day Watch' comes to Blu-ray from 20th Century Fox Home Entertainment, released simultaneously with its predecessor ' Night Watch'. Allowed to run unrestrained, as he was in both 'Watch' films, his movies quickly grow unfocused and tiring, like the work of a talented child with Attention Deficit Disorder. Part of what made 'Wanted' so entertaining was the tension between Bekmambetov's outrageous vision and the constrictions of a traditional Hollywood production demanding of a relatively coherent narrative. After the box office success of his American debut 'Wanted', I'm sure the director will be given a blank check to do whatever he feels like. Whether it will retain any of the characters or storylines from the first two movies is unclear. A third film titled 'Twilight Watch' set in the United States is in development now. It also has a profoundly stupid twist ending that basically unwrites everything that happened in both movies, "Bobby Ewing in the shower" style.īekmambetov has been saying all along that the 'Watch' movies were designed as a trilogy.
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Bekmambetov's lunatic visual sensibilities are just about the only thing to liven up the proceedings, but at 2 1/2 hours the movie just drags on and on and on. It is, however, a really dumb movie with silly action scenes, crappy CGI visual effects, and too many pointless subplots. That's not to say that it makes much sense, but at least the action is a little less frenzied and you can sort of tell what's happening on screen at any given time.
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I'll give it this much, 'Day Watch' is less blatantly incoherent than 'Night Watch'. This is all brought about by the discovery of a legendary mystical object called the Chalk of Fate (literally a piece of chalk) and a deadly yo-yo of the apocalypse. It seems that the frame-up is part of a ploy to break the centuries-long truce between Light and Dark and to reignite the ancient war. In the meantime, Anton has been framed for the murder of a Dark Other and must go on the run by switching bodies with Olga the owl girl. It turns out that both Yegor and Svetlana are "Great Others" capable of entering the second level of Gloom, and if they ever meet bad things will happen. With Anton's son Yegor entrenched on the Dark side, the balance between good and evil is wavering. You know, the blonde chick with the big glasses. You may remember her as the cursed woman from the first film. Our hero Anton Gorodetsky is now a grizzled and experienced agent of the Light Others, and has been tasked with dragging around a trainee named Svetlana.
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'Day Watch' picks up some time after whatever the hell it was that happened at the end of 'Night Watch' (I still haven't figured that out). It has all the weaknesses of the first film with fewer of the strengths. It's bigger, louder, more expensive, grander in scope, duller, dumber, repetitive, and derivative. The follow-up 'Dnevnoy Dozor' ('Day Watch') suffers the same faults as all too many sequels to successful movies. After 'Nochnoi Dozor' ('Night Watch') became the biggest blockbuster in Russian cinematic history, it didn't take long for director Timur Bekmambetov to get working on the next installment in his proposed trilogy.